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Memory, said Greek myth at the beginning of its historical period, is the mother of the Muses, who inspire the poets, but no longer in the same degree that the god inspires the oracle though the poets clung to the connection as long as they could. The criticism of Apocalypse is still in an immature stage. Myths are conglomerates of archetypes held together psychologically; they reveal the nature of the soul. Where the religion is theological, and insists on a sharp division between divine and human natures, romance becomes more clearly isolated, as it does in the legends of Christian chivalry and sanctity, in the Arabian Nights of Mohammedanism, in the stories of the judges and thaumaturgic prophets of Israel.
Pages: 288
Publisher: Cambridge University Press (October 14, 2002)
ISBN: 0521520002
Late lyrics and earlier: with many other verses
Poetry for Peace
Leaves of Grass, Including Sands at Seventy, Good Bye My Fancy, Old Age Echoes, and A Backward Glance O'er Travel'd Roads
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Both novels are strongly fictional in emphasis compared to Uncle Tom's Cabin or The Grapes of Wrath, where the plot exists primarily to illustrate the themes of slavery and migratory labor respectively. They in their turn are fictional in emphasis compared to The Pilgrim's Progress, and The Pilgrim's Progress is fictional in emphasis compared to an essay of Montaigne Spinning Fantasies: Rabbis, download pdf
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As the emphasis, in epic, shifts from individual to the society, greater issues are necessarily involved; and these issues transform the very nature of epic to such an extent that it ceases to have a merely literary value. (deals with what ‘was’, rather than what ‘may be’/ ‘ought to be’. a On Meaning-Making: Essays in Semiotics (Foundations & Facets)
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