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Adrian Martin has noted the absence of the figure of the cinephile from Australian intellectual histories and attempted to (re)constitute this figure through a close attention to both film criticism, filmmaking and film cultural dispositions. [25] Jill Julius Matthews and Philip Mead have contributed scholarship on early individual Australian film critics, respectively Beatrice Tildesley, [26] inaugural film critic of the Australian Women’s Weekly, and Kenneth Slessor, [27] of poetic fame, but long-time film critic for the Sydney-based national weekly newspaper Smiths Weekly.
Pages: 168
Publisher: Southern Illinois University Press; 1st edition (March 20, 2002)
ISBN: 080932427X
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http://zolo.vip/library/whither-quo-vadis-sienkiewiczs-novel-in-film-and-television. The picture of the epic hero, says Sidney, stirs the mind with a desire to be like him and counsels how to be worthy. Spenser tells us clearly the function of his Faerie Queene. He writes: The general end therefore of all the book is to fashion a gentle- man or noble person in virtuous and gentle discipline. Which for that I conceived should be most plausible and pleasing being colored with an historical fiction the which the most part of men delight to read rather for variety of matter than for profit of the ensample I chose the history of King Arthur.. .. 46 A SHORT HISTORY OF LITERARY CRITICISM This is a clear statement of the "sugar-coated pill" theory of literature Wordsworth's "The Prelude" read for free
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