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Otherwise known as soft inheritance, this theory has been abandoned now but it is still of some use. Orchestral works were performed for the public; chamber music was meant to be performed as an accompaniment inside homes of royal families who financed and supported music composers. After the war black minstrel troupes, such as Brooker and Clayton’s Georgia Minstrels, also toured the northern states and found some success and popularity with white audiences.
Pages: 128
Publisher: Hal Leonard; 1 edition (November 1, 2013)
ISBN: B00HYDH6AI
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