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The final status outstrips the original need, social position, or potentialities. Does anyone know if Tim Burton was influenced by this movie? For, Aristotle insists, poets present things, .not as they are, but as they should be. Ong, " The Barbarian Within, and other fugitive essays and studies", (New York, 1962), p.62 "if some young poets were as watchful about needless obscurity as they are about needless sentimentality you might have heard of them", Glyn Maxwell, "On Poetry", Oberon Books, 2012, p.43 "From Mallarmé onwards, the 'obscurity' of modernist writing challenges tacit assumptions about the nature and function of poetry, eliciting ontological questions about the purity or impurity of the poem in relation to other modes of discourse", Anthony Mellors, "Late Modernist Poetics", Manchester University Press, 2005, p.169 "Some of the most celebrated "difficult" poetry of the past ten years seems to me derivative, mechanical, shallow, soulless, and too clever by half", Stephen Burt, "Close Call with Nonsense", Graywolf Press, 2009, p.4 "I cambiamenti [verso l'oscurità] sono graduali e riguardano tutti i livelli del testo, dal lessico, alla metrica ...; dalla sintassi, che comincia a seguire le onde associative del pennsiero, ai trope", (the changes [towards obscurity] are gradual and exist at all levels of the text, from diction, to metre ...; from syntax, which begins to follow the associative waves of thought, to tropes), Fiorenza Lipparini, "L'oscurità nella poesia moderna", in "Lettere Italiane", LXI, N.2, 2009, p.293 "One encounters in any ordinary day far more real difficulty than one confronts in the most 'intellectual' piece of work.
Pages: 204
Publisher: Kessinger Publishing, LLC (September 13, 2007)
ISBN: 0548528659
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Structure functions as a buoy to which the poetic swimmer clings: it is good that it is there, but only to let us catch our breath before we start again on the crawl of lyric effusion", Umberto Eco, "on literature", Vintage, 2006, p.206 "in the new book Field Work I very deliberately set out to lengthen the line again because the narrow line was become a habit
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The age of romantic heroes is largely a nomadic age, and its poets are frequently wanderers ref.: Studies in Classic American Literature
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http://old.gorvestnik.ru/library/remembering-the-bards-cofior-beirdd-a-glimpse-into-the-work-and-lives-of-three-llangollen. But according to the necessities of the case and the opinions held about the Forms, if Forms can be shared in, there must be Ideas of substances only. For they are not shared in incidentally, but a thing must share in its Form as in something not predicated of a subject (by 'being shared in incidentally' I mean that e.g. if a thing shares in 'double itself', it shares also in 'eternal', but incidentally; for 'eternal' happens to be predicable of the 'double') , cited: The Avisson Book of Contests & Prize Competitions for Fiction Writers (Writers Reference Series)
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