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Referring to the mecca of modern jazz in the East Village, Baraka wrote in his 1984 autobiography, “The Five Spot was the center for us.” 92 Watts, whose 1969 Savoy album Marzette Watts Ensemble was produced by Dixon, told Larry Nai in 1998 that Baraka’s short-lived, proto-nationalist political action group, the Organization of Young Men (OYM), had made a conscious decision to promote Ayler as the next “big name” in the music. “Baraka got involved in a move to basically take all of the music off the market, and we would just push one guy; and everybody agreed it should be Albert,” Watts recalled.
Pages: 432
Publisher: Three Rivers Press; Reprint edition (October 8, 2002)
ISBN: 0767905105
Waiting for Dizzy
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Blue Flame: Woody Herman's Life in Music
Electric Don Quixote: The Definitive Story Of Frank Zappa
Nat King Cole
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Deep in a Dream: The Long Night of Chet Baker
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John Coltrane: His Life and Music (The Michigan American Music Series)
Duke Ellington (Genius! Series)
Blowing My Own Trumpet
Dameronia: The Life and Music of Tadd Dameron (Jazz Perspectives)
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Jazz: Photographs of the Masters
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Bill To Jazz
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