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Pre-production The kick off meeting: once all the heads of department have been hired, the shooting script is circulated and pre-production begins in earnest. - The casting director - The editor - The head of sound - The director of photography - The production designer - The 1st ad (responsible for keeping the film on schedule) - The line producer Casting: the casting director, with the director and producer begin the long process of identifying and casting the actors Storyboarding: the story boards are the blue print for the film, where every shot is planned in advance by the director and the DOP - The director - The storyboard artist: draws each key scene the way it will eventually be filmed - The director or photography Production design: the production designer plans every aspect of how the film will look, and hires people to design and build each part - The set model: made so that everyone knows how the real thing should look - The art director: takes the designs and creates every part of how the film will look - The location manager - The construction manager: oversees all the building of the sets - The costume designer Special effects planning: effects shots are planned in much more detail than normal ones and can take months to design and build - The visual effects supervisor - Special physical effects The production unit: the 1st ad the line producer and the production manager make up the key logistics triangle of the production The Shoot 1st Day of Principle Photography: this is the key moment in the film production, shooting begins, and funding is released. - The production office - The caterers - The 2nd ad: tells other stars that are required on set in an hour before they are needed - Health and safety - The insurers - The producer - The gaffer: sorts out the electrical The construction team - The stars - The sound team - The 3rd ad: briefs extras - The camera team - The property manager - The unit still photographer: takes photos for marketing purposes - The director / 1st ad Camera: the camera department is responsible for getting all the getting all the footage that the director and editor need to tell the story - The director of photography - The camera operator - The grip: makes sure the equipment runs smoothly - The focus puller: keeps the frame in focus - The clapper loader: takes unexposed film form its canister and puts it in its magazine Lighting and sound: once the lighting and sound are set up and the hair and make have been -up checked, the shot can begin Acting: in the midst of all the commotion, the actors must create an emotional world and draw the audience into it Special physical effects: every special effect is carefully constructed and must be filmed with minimum risk of injury to cast and crew - Special effects supervisor - The stunt people - Health and safety - The visual effects supervisor Chain of command: film productions are run with military precision if they fall behind schedule, the financiers and industry may step in - Runners - The assistant directors - The line producer Post Production Rough cut: as the processed footage comes in, the editor assembles it into scenes and creates a narrative sequence for the film - The assistant editor - The rushes - The negatives - The editor Post production sound: once the picture is locked, the sound department works on the audio track laying, creating and editing every sound - The foley artist: creates the added noises for special effects - ADR: automated dialog recording - The sound editor - Music Digital effects and titles: digital effects are added by the special effects team, and titles and credits are added in to compositing suite - Supervising post production - The credits - Digital effects Grade and colour: the final stage of the picture edit is to adjust the colour and establish the fine aesthetics of the film - The telecine operator Final mix: after picture lock, the rough sound goes for a dubbing theatre where the sound mixer sets the final levels - The sound mixer - The broadcast mix - The final mix - The Dolby 5.1 mix Final cut: after the final cut the film reaches full lock, it is now finished and ready for duplication, but who gets the final cut? 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