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For instance, identifying or mapping networks of relationships and hierarchies within the institution to be represented as a building. Our method was simple: to take one single element from one architect or practice, and to extrapolate it across the body of work in order to find a critical account – allowing the element to curate new discourse or opportunities for discourse. And that was precisely why, after his death, Bernini would be attacked by artists such as Sir Joshua Reynolds for being a cheap sorcerer, a specialist in theatrical trickery, who - for the sake of wowing the worshipper - had, unlike Michelangelo, debased the purity of his chosen material.
Pages: 272
Publisher: The MIT Press; First Edition edition (July 6, 1995)
ISBN: 0262540789
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